The Callisto Protocol had a lot of hype surrounding it — from originally being a part of PUBG, to its use of mocap for its actors and actresses. At release, numerous performance issues and people finding problems with the design seemed to have sunk the game, like Scorn’s rough intro. Playing TCP however, and also like Scorn, I really enjoyed the game for presenting something a bit different but may not be intended for the right audience.
Dying Space
The Callisto Protocol wears its inspiration on its diegetic UI as a major homage to Dead Space. When his one last big transport mission goes wrong, Jacob finds himself in a maximum-security prison on Callisto and is now a prisoner. This, as per the genre norm, doesn’t last long, and the prison is soon overrun with a virus turning people into ravenous mutants that he will have to shoot, bash, and fling away if he wants to get out alive.
From a graphical standpoint, the game looks amazing, with some impressive motion capture for the major characters. As for the gameplay, TCP is 100% on the action-horror side of horror design — from your variety of weapons, upgrades, and the ever-popular stomp on enemies when they’re on the ground.
What separates this game from other action-horror games, and where I feel people may have played the game wrong, is that I’m not sure we could even classify this as an “action-horror” game.
Rip and Scare
The Callisto Protocol is supposed to be a scary game — things pop out where you least expect them, and you’re going to be exploring for health and ammo supplies; you know, things you would do in a horror game. Except, this game feels like it is inspired by another game: Doom 2016 and how despite just being a human surrounded by monsters, you’re the one with a lot more power.
This starts with the combat system, and for the first time in an action-horror game, you have a dedicated and very effective dodge. By holding down left or right, you will automatically dodge any melee attack that comes your way; if there are multiple strikes, you must alternate between the two unless you turn on “auto dodge”.
Like Dead Space, dismembering enemies will greatly reduce their threat level to you, and you have many ways of doing that. Once you get your “GRP” that allows you to push and pull enemies, all bets are off in terms of using the environment and the myriad of spikes and giant fans to finish off your enemies.
While you do have ranged weapons, TCP does something I haven’t seen before in how it merges melee and ranged combat into one. When you are attacking an enemy with melee, you’ll get a prompt to do a “quick shot” — where the game will auto-lock-on to the enemy and fire your gun without interrupting your melee: this allows you to cycle between melee-ranged-melee to keep an enemy almost stun-lock until they die. You can also block attacks that can set enemies up for a counterattack at the cost of taking reduced damage.
This is all important because the game is far more combat-intensive compared to other action-horror games. Don’t be surprised to be stuck in a room with five or more enemies attacking you at once — requiring you to use the environment for quick kills to thin their numbers before you are mobbed.
So far, the bulk of this review has been talking about combat, and this is where surprisingly that TCP really succeeds. But that does raise one question, does the experience work all around?
Scary Shooting?
The story is one area where TCP does feel like a letdown. The game is so inspired by the designs and structure of Dead Space, but it doesn’t really do anything different with its storytelling and gameplay. You are going to be spending a long time wandering around beautifully looking nondescript hallways trying to find your next quest. Jacob is not an interesting character, and he doesn’t even have a loved one as motivation like Isaac did.
the upgrade system provides a huge advantage as you enter the back half of the game
The lack of enemy variety is noticeable and part of it is the focus on combat. This is not like Dead Space, or even Resident Evil, where different enemies require vastly different approaches. Here, the combat does get repetitive in terms of your best options for killing them. The game in a sense almost feels like it’s being tugged in two directions. That it gives you all these different abilities, environmental kills, and weapons, and wants you to have a good time destroying any mutant that moves. On the other hand, it also wants you to feel powerless with limited inventory space, hunting for resources, and moving around in the dark.
Ultimately, I feel that in reality, TCP is not a horror game; not even an action-horror one. It is the third-person shooter equivalent to FEAR — an action-focused game taking place in a spooky setting. Even though the enemies are supposed to be scary in the game, your move set and weapons are enough to take them on. At one point, the game introduces mutations that require you to shoot exposed tentacles or face a stronger variant of the enemy. At this point, you have to stop relying solely on melee or your fights are going to be longer and more dangerous.
If you go into this game expecting a horror game, you are going to be without a doubt disappointed. For me, I started to enjoy the gameplay loop of bash, shoot, and launch enemies around. As you enter the back half of the game, these options become a necessity, as you can’t have multiple enemies engaging with you at the same exact time and expect to survive. The final chapter in particular is the most combat-heavy and the game recycles the same elite boss fight four times; with it and the final boss as nothing but a massive bullet sponge.
What Does the Future Hold?
I did end up enjoying The Callisto Protocol, but it does have some rough patches to it. Speaking of patches, the game is planning on getting a new game + mode and higher difficulty, along with story DLC, for 2023. If you’re on the fence about playing it now, I would wait until that content gets added to get the full, and hopefully bug-free, experience of the game.
While it’s not the best game for horror fans, if you’re looking for a little action in the new year, then I would check it out.
This was played with a PC press key provided by the developer
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